The artist Seamus Farrell, opens his studio, a converted laundrette in Paris, to artists with whom he collaborates on a variety of projects. The first exhibition of this kind took place in January 2010 with a projection of documentary shorts by Mohssin Harraki, Mason, the second artist invited into the space, chose to test a new prototype of rotary camera showing ten colour photographs taken in the suburbs of Marrakech. The space allowed the artist the specific requirement he needed for setting up this particular device. Seamus Farrell chose to make the space open to the public on request in order to provide a more personal experience and moment between the work and the viewer. An artist’s studio such as this is a space for both the fabrication of ideas and the returning of experiences according to a set calendar. It is along this line of thought that the English artist Peter Fillingham accepted this invitation. For this third collaboration, Peter Fillingham has focused his attention on the assemblage of everyday objects, returning to question the use and function of the object.